The Great Patriot, Robert Emmet

The Great Patriot, Robert Emmet

Watercolor, 1892 by Rosina Sherwood Emmet

Watercolor, 1892 by Rosina Sherwood Emmet

Mistress Mary  Quite Contrary, 1891
Lydia  Field Emmet (1866–1952)Metropolitan Museum of Art

Mistress Mary Quite Contrary, 1891

Lydia Field Emmet (1866–1952)

Metropolitan Museum of Art

Under the Willows, Wilfred de Glehn, 1910
Husband to Jane Erin Emmet de Glehn

Under the Willows, Wilfred de Glehn, 1910

Husband to Jane Erin Emmet de Glehn

Palladian Bridge, Wilfred de Glehn
Married to Jane Erin Emmet de Glehn

Palladian Bridge, Wilfred de Glehn

Married to Jane Erin Emmet de Glehn

Coombe  Bisset, Wiltshire, Jane Emmet de Glehn

Coombe Bisset, Wiltshire, Jane Emmet de Glehn

Cynthia Reading, Rosina Emmet Sherwood

Cynthia Reading, Rosina Emmet Sherwood

Garden Wall, Rosina Sherwood Emmet, 1919

Garden Wall, Rosina Sherwood Emmet, 1919

The Fountain, Villa Torlonia, Frascati, Italy, 1907 by             John Singer Sargent            1907 
Art Institute of Chicago, Illinois
Jane Emmet de Glehn (1873-1961) painting with her husband Wilfrid (1870-1951) at the Fountain at Villa Torlonia in Frascati, Italy. 

The Fountain, Villa Torlonia, Frascati, Italy, 1907 by John Singer Sargent 1907 

Art Institute of Chicago, Illinois

Jane Emmet de Glehn (1873-1961) painting with her husband Wilfrid (1870-1951) at the Fountain at Villa Torlonia in Frascati, Italy. 

The Artists’ Home at Stratford, Tony Wiltshire,  UK, Wilfrid de Glehn
Married to Jane Erin Emmet de Glehn

The Artists’ Home at Stratford, Tony Wiltshire, UK, Wilfrid de Glehn

Married to Jane Erin Emmet de Glehn

At Home, Rosina Sherwood Emmet

At Home, Rosina Sherwood Emmet

Lydia Field Emmet by William Merritt Chase
Brooklyn Museum

Lydia Field Emmet by William Merritt Chase

Brooklyn Museum

The White Villa, 1934, Jane Emmet De Glehn
by a Great Aunt of Mine

The White Villa, 1934, Jane Emmet De Glehn

by a Great Aunt of Mine

(Source: spanierman.com)

ha, just found this posted. It is of my great, great Aunt, Jane Emmet de Glehn.
missfolly:

Jane de Glehn in a Gondola, ca. 1902, by John Singer Sargent

ha, just found this posted. It is of my great, great Aunt, Jane Emmet de Glehn.

missfolly:

Jane de Glehn in a Gondola, ca. 1902, by John Singer Sargent

(via thesensualstarfish)

In a Garden, Corfu (Jane Emmet de Glehn) by John  Singer Sargent, 1909,Terra Museum of American Art, Chicago
This is of one of my relatives that was painted by Sargent, he did another one and I will post that eventually too. I will also be posting paintings by a few of the Emmet painters from that era.
http://en.wikipedia.org/wiki/Jane_Emmet_de_Glehn 
Following her marriage to de Glehn, the couple honeymooned in Cornwall,  England and vacationed in Paris and Venice and made a permanent home in  London. In England Jane continued to draw and paint, exhibiting her work  at the New English Art Club, the Royal  Academy and the Royal Hibernian Academy. She worked mainly in  the mediums of chalk and charcoal. The young couple become frequent  travelling companions of the American painter John Singer Sargent, whom Jane Emmet de Glehn had  met at performance of the dancer Carmencita in 1890,[9] and between 1905 and 1914 the trio often depicted each other in each of  their works whilst travelling throughout Europe.[10]

In a Garden, Corfu (Jane Emmet de Glehn) by John Singer Sargent, 1909,Terra Museum of American Art, Chicago

This is of one of my relatives that was painted by Sargent, he did another one and I will post that eventually too. I will also be posting paintings by a few of the Emmet painters from that era.

http://en.wikipedia.org/wiki/Jane_Emmet_de_Glehn

Following her marriage to de Glehn, the couple honeymooned in Cornwall, England and vacationed in Paris and Venice and made a permanent home in London. In England Jane continued to draw and paint, exhibiting her work at the New English Art Club, the Royal Academy and the Royal Hibernian Academy. She worked mainly in the mediums of chalk and charcoal. The young couple become frequent travelling companions of the American painter John Singer Sargent, whom Jane Emmet de Glehn had met at performance of the dancer Carmencita in 1890,[9] and between 1905 and 1914 the trio often depicted each other in each of their works whilst travelling throughout Europe.[10]